This time they move.
The lawyers go first because cowardice travels fast in expensive shoes. Mauricio stays one beat too long, turning back toward you with a glare so full of frustration it nearly strips the mask off him entirely. “This isn’t over,” he says.
You look down at the little girl still sobbing on the floor and then back at him.
“Yes,” you say. “It is. You just don’t know it yet.”
When they’re gone, the room empties all at once.
The adrenaline leaves your body in brutal waves. Your vision blurs. Carmen rises slowly with Sofía in her arms, still crying, and for one humiliating second you think you might black out before you can say the only thing that matters now.
“Door,” you say.
Rosa closes it.
Only then do you let your head fall back.
The pain is extraordinary. Not just physical. Everything in you hurts—the damaged muscles, the rigid hands, the throat torn open by words, the memory of that child hanging in Mauricio’s fist while you sat trapped five feet away in your own chair. For two years you convinced yourself the worst humiliation was needing help. You were wrong.
The worst humiliation is watching evil enter your house and having to wait for your body to catch up.
Carmen kneels in front of you with Sofía still pressed against her shoulder.
“She’s okay,” Carmen says quickly, maybe to calm you, maybe to calm herself. “He scared her, but I caught her. She’s okay.”
You nod once.
Your eyes go to the little girl.
She has stopped crying now in the uneven, exhausted way children do when terror empties them out too fast. Her cheeks are wet. Her hair has come loose. She still has one tiny hand clenched around her mother’s uniform and the other reaching blindly toward the stuffed rabbit by the wall.
You cannot get to it.
That breaks something small and final inside you.
“I’m sorry,” you say.