You get back into the black truck and everything smells like leather, rain, and the lie you have been telling yourself for sixteen years. The driver asks if you want the heater on, but you barely hear him. Your eyes are still trapped on that flash of silver and that impossible blue stone, shining on a girl’s finger like a lighthouse calling you toward a shipwreck you never finished drowning in. You tell him to drive, and your voice comes out calm, the way people sound right before they break.
You sit in the back seat and open your phone, thumbs hovering over old numbers you swore you’d never call again. Letícia’s number has been dead for years, but your body still remembers the ritual: type it, stare at it, delete it. Rain drums the roof in a steady heartbeat, and you realize yours is out of sync. You don’t want to chase the girl, but you also don’t want to let the universe steal her from you twice.
You make one decision, small and viciously precise. You ask your head of security to pull the traffic camera footage from the intersection, not the city’s cameras, yours. Money can’t buy love, but it can buy angles, timestamps, and the direction a barefoot girl takes when she disappears into Paraty’s wet labyrinth. Your driver glances at you again like he can sense a storm forming inside the car, and you give him the only instruction that matters: “Find out where she lives.”
You tell yourself you’re being careful. You tell yourself you’re not going to scare her, not going to drag her into some billionaire nightmare of questions and lawyers and blood tests. But the truth is simpler and uglier: you are terrified that if you wait, she’ll evaporate like every other good thing in your life. You watch the wipers slice the world into clean and dirty halves, and you wonder which side you belong on.
That night, you don’t go back to your mansion overlooking the bay. You go to your office, because offices are where feelings go to be punished into silence. Glass walls, cold lights, assistants who don’t ask personal questions, and a desk that has heard you say “handle it” more times than it has heard you say “I miss her.” You pull up the old file you never deleted, labeled LETÍCIA M. and dated sixteen years ago like a wound that still has stitches in it.